Stanton Moore (Galactic, Stanton Moore Trio) Depending on the specific sound a drummer is looking for, they’ll determine which option will work best for their particular situation. It’s important to use a “crisp” sounding pair of hi-hats as well as a ride cymbal with a cutting bell.īoth coated and clear drumheads are used for playing funk. Drums tend to be tuned higher for playing funk – specifically the snare drum and the bass drum – in comparison with other styles like pop and rock.Ī standard cymbal setup for playing funk consists of a pair of hi-hats (13”-14”), a variety of crash cymbals (16”-18”), and a ride cymbal (20”-22”). Here are a few funk grooves with those unique lead hand ostinatos!įunk drummers are often seen using drum sets consisting of a bass drum (20”-22”), one or two rack toms (10”-13”), one or two floor toms (14”-16”), and a snare drum (13”-14”). Here’s a quick tutorial that will teach you how to do it.įunk drummers are known for incorporating syncopated lead hand ostinatos that are quite different from the ostinatos used in pop and rock music. To take this concept further, you can also do a quick hi-hat opening to emphasize accents or shots with the band. Watch this video to learn how to play the main groove from “Funky Drummer” by James Brown. Hi-hat openings are heard in some of the most famous funk grooves in history. Some of the most common uses for hi-hats are hi-hat openings and lead hand ostinatos. The hi-hats are one of the most important sound sources in funk drumming. ![]() Here are some examples that apply the concept of linear drumming: ![]() This concept applies to playing both funk grooves and fills. Linear drumming is another essential part of playing funk. Here are a few grooves that demonstrate some different backbeat placements. The other backbeat(s) will be played on less common eighth or sixteenth note placements. Typically only one backbeat will fall on beat two or four in a funk groove. In funk music, the snare drum backbeats aren’t always played on beats two and four. Some of the most famous funk bands and artists of all time include The Meters, Sly and the Family Stone, Parliament, Funkadelic, and Tower of Power-and of course James Brown.įunk drumming often features syncopation and rhythmic displacement, rudiment-based hand patterns, hi-hat openings, ghost notes, and linear patterns-when no two limbs play at the same time. Harmonically, funk music is more complex than soul music, and by the 1970s it had eclipsed soul as a major genre in the United States. This style is known for featuring “slap” bass, guitar effects like “wah-wah”, horn sections, and syncopated drum grooves. Largely thanks to Brown’s innovations, funk music brought rhythm section players off of the sidelines and into the musical spotlight. ![]() The key innovator of funk music during the 1960s was James Brown, who began his career in the 1950s as a soul musician. It was one of the first styles of music to place more emphasis on rhythm than melody and harmony. The book goes into even more detail about funk drumming!įunk developed in the United States during the mid-1960s as a hybrid of soul, jazz, and blues music. This is an excerpt from The Drummer’s Toolbox: The Ultimate Guide To Learning 101 Drumming Styles.
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